HEIKO TIEMANN

Germany

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Infliction

Biographie

Born in 1968, Heiko Tieman studied photography at the Folkwang Hochschule in Essen, then at the Royal College of Art in London. Since 1996 he has exhibited in numerous prestigious galleries and institutions in Germany, England, Italy and Japan. Since 2001 he has had four one-man shows in Essen, Bremen, at the Goethe Institute in London and at the Tina Miyake studio in Dusseldorf.

Présentation

These images are part of a project of over a year long now and it started in a school for children with different degrees of learning difficulties, Asperger-Syndrome and trauma in Duisburg/Germany. Its within an area with a lot of social problems and this school, which will be closed this year due to the new inclusion scheme, is a place where such problems resurface quite significantly. There are „overlooked“ individuals within our society and who become more and more neglected by the mechanisms and dynamics of our system.
Who gives them a position of expressing or even the possibility of just being for the purpose of being? There is a sense of deep respect and humbleness which I feel. I don‘t want to exploit the children, but to give them a visual voice which will have strong echoes of importance in a manner which is solely grounded within their own history, appea- rance and inner circumstances. First there is the process of involvement. I did have to integrate myself with empathy and curiosity. At the same time I have to keep my focus on my visual sensitivity. To achieve a kind of symbiosis between emotional integrity, responsibility and the ability to „find“ those images which are able to transcend dignity which stems from the person photographed is no easy task at all and can only be described superficially with words. I am aware that this work could be described as „social photography“ or even political, but it is clearly not so easily catego- rized. The phantasms are coming through the surface without contrived staging. They are a result of looking, empathy and sensitivity. I am very specific in choosing my subject in order to understand it I want to get into it as deep as possible and I believe in doing so it will be of more significance. These images are metaphors and documents at the same time as they oscillate between the reality of the representative and the reality of the image which the photograph does present. There is no conventional narrative or storytelling in this work. They are visual „enclaves“ as well as individual ones and each image is distinct. They are „worlds“ within the frame and do interact with each other if being shown together. The journey continues....